A frequent performer with the likes of Hiss Golden Messenger and Phil Cook, the now Western North Carolina-based Gustafson returns to Durham to usher in autumn with his open-road folk-rock treatments. Take, for example, the first chorus of last year’s Transmigration Blues track “Strangers” - “All my friends / cut their long hair, settled down / they’re acting like strangers” - which reads as both a droll pandemic portrait and poignant social commentary. The copyright interests in this collection have not been transferred to Duke University. Cook ITT/Terry Sanford Distinguished Professor Emeritus of Public Policy Studies Fernando R. Request Navigate the Collection Containers: Film-reel 138. Within a single album, Ryan Gustafson’s metaphysical folk project The Dead Tongues can shift between landscape panorama and domestic still-life. Phil Cook, 1929-1930 Phil Cook, 1929-1930. The amphitheater is the grassy area below the Lucky Strike water tower and parking is available in one of three nearby decks. His dissertation, The correctional carrot, had a more applied bent.
Since the early days of his career, Cook has made a habit of asking questions others are not. Bring a chair, a blanket, and visit pop-ups by Parker & Otis, Boricua Soul, and Mellow Mushroom for drinks and dinner. Cook: A Scholar of Bad Behavior Early Career Questions.
#PHIL COOK DUKE REGISTRATION#
These outdoor concerts are free, no registration is needed, and masks are required. The Dead Tongues Wednesday, Septem| 6:30 pm American Tobacco Amphitheater
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